Germany has a distinguished track record in the visual arts sector of the art world and their art has varied from early known pieces of figurative art, to the current art categories of contemporary art. Germany has only been recognized as a single country since the 19th century, so many of the “old” German arts include the art of bordering German-speaking countries like Austria, Alsace, and Switzerland. Although Germany isn’t often recognized as influential to the Western arts like Italy and France, there is sufficient evidence that they have played a crucial role in the development of Western art.
During the 1920’s to 1940’s German artists during the Third Reich had to endure the Nazi regime that wished to ban all forms of art from Germany. The Nazi’s considered modern art “degenerate art” as it deviated from the prescribed norm of classical beauty. Adolf Hitler, Leader of Nazi Germany at the time, saw himself as an “art enthusiast” despite banning all kinds of modern art in Germany.

Adolf Hitler, der Schopfer des Dritten Reiches und Erneurer der deutschen Kunst
By: Heinrich Knirr, Germany 1937
This portrait was chosen for the grand opening of the Greater German Art Exhibition in 1937. The title can be translated to “Hitler, the creator of the Third Reich and Renewer of German Art.” The portrait can now be seen in the Imperial War Museum in London. A common theme with the art from the Third Reich time period is to portray their Fuhrer (leader) in strong aggressive looking poses. I find this photo interesting because most portraits of Hitler do not have the soft background that this one has, most have warlike backgrounds. Paintings of Hitler became so numerous that Hitler himself decreed that only one would be displayed officially each year at the art exhibition annual openings.

Der Bannertrager
By: Hubert Lanzinger, Germany 1938
The title of this painting can be translated to “The Standard Bearer” as it shows Adolf Hitler as an armored knight holding the Nazi flag. This painting was a very famous painting of Hitler in both poster and postcard form. In my mind, when I think of a portrait of Hitler, this is the one that comes to mind. These portraits of Hitler were one of very few art forms that were allowed during the Third Reich, as the Nazi’s attempted to filter what types of art could be made and what couldn’t be made. This picture shows Hitler riding a horse in a suite of armor holding the infamous Nazi flag in his straight right hand. All portraits of Hitler have him portrayed as in position of supreme power.

Braunau am Inn
By: F.X. Weidinger, Germany 1943
Similar to portraits of Adolf Hitler himself, another “acceptable” artwork during the Third Reich was a painting of Braunau which was a favorite scene for many Nazi painters because it was Hitler’s birthplace in Austria. I find it very interesting how this place seems quiet and peaceful from this photo, and that such a awful person like Hitler could be raised in such a place. This artwork shows the German influence of architecture that often times contain post and beam construction popular to this era. Hitler was a painter as a youth, so he considered himself the supreme critic of what was, and what was not, proper art. To promote what Hitler found to be “proper” art, Hitler had a special place built in Munich to scene yearly exhibits of his art. The special place was known as “Haus der Deutschen Kunst” (House of German art) and he placed his personal photographer Heinrich Hoffmann and director Karl Kolb in charge of choosing the arts to be displayed.





















